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2024 Symposium–Birmingham, AL

AHAA Eighth Biennial Symposium
October 17–19, 2024
Birmingham, AL

The Eighth Biennial Symposium of the Association of Historians of American Art will be held in Birmingham, Alabama, jointly hosted by the Birmingham Museum of Art (BMA) and the Department of Art and Art History at the University of Alabama at Birmingham (UAB). The BMA’s extensive collections include historic and contemporary North American, Native American, and ancient American art. UAB is a major teaching-research university in Alabama, ranking in the top twenty public universities for federal research funding and in the top ten nationally for student diversity. The Department of Art and Art History is located in the Abroms-Engel Institute for the Visual Arts, which houses the university’s galleries. In addition to its vibrant arts scene, Birmingham is rich in cultural organizations that highlight its history as an industrial city established in the late nineteenth century, including the Birmingham Civil Rights Institute, the Civil Rights Historic District, Sloss Furnaces, and Vulcan Park and Museum.

 

Registration is now open; please see below for instructions and links. Symposium attendees are required to be current AHAA members in good standing. AHAA offers several levels of membership: Student/Basic ($35), Member ($50), Supporter ($200), Lifetime (one-time payment of $500), and Institutional ($500). To learn more about becoming a member, please visit AHAA Membership Benefits.

 

Symposium Registration

Register online by September 26

Registration for the symposium is $40, and an active membership in AHAA is required. We apologize that our website does not offer the capability of renewing your membership and registering for the symposium in a single transaction. Instead, you will have to renew your membership FIRST and then register for the symposium.

Click here to join AHAA or renew your membership . If you’ve forgotten your username or password, simply follow the instructions on the page.

Once you have verified your membership status and signed into your membership profile on the AHAA website, please click here to complete your registration

 

Symposium Travel Grants

AHAA is offering four $500 grants to AHAA members on the 2024 Symposium program who are contingent, unaffiliated, or graduate students. Please fill out this form by August 2 to be considered for a grant. Awardees will be selected by lottery. For questions, please contact the symposium liaison at symposium@ahaaonline.org

 

Symposium Schedule

Thursday, October 17 (Birmingham Museum of Art)

2000 Rev. Abraham Woods Jr. Blvd., Birmingham, AL 35203

 

2:00–4:00 p.m.: Self-guided tour of Joe Minter’s African Village in America (931 Nassau Ave. SW, Birmingham, AL 35211)
This is a pre-conference visit. Participants will be met informally by Katherine Jentleson, High Museum of Art, who will share a map of key works across the site. Find more information here.

 

4:30–5:00 p.m.: Registration

 

5:00–5:30 p.m.: Birmingham Museum of Art, Symposium Co-Chairs, and Association of Historians of American Art Welcome

Emily Casey, AHAA Chair, University of Kansas

Ruthie Dibble, AHAA Co-Chair, Peabody Essex Museum

Mindy Besaw, AHAA Chair Emerita, Crystal Bridges Museum of American Art

Graham C. Boettcher, Birmingham Museum of Art

Katelyn D. Crawford, Symposium Co-Chair, Birmingham Museum of Art

Jessica Dallow, Symposium Co-Chair, University of Alabama at Birmingham

Kathleen M. Spies, Symposium Co-Chair, Birmingham-Southern College

 

5:30–6:30 p.m.: Panel: Celebrating Ten Years of Panorama: Journal of the Association of Historians of American Art

Panelists: 

Keri Watson, University of Central Florida

Katherine Jentleson, High Museum of Art

Jenni Sorkin, University of California, Santa Barbara

Cyle Metzger, Bradley University

Keidra Daniels Navaroli, University of Central Florida

Jessica RouthierPanorama: Journal of the Association of Historians of American Art

 

6:30–8:00 p.m.: Opening reception and opportunity to walk through the exhibitions Determined to Be: The Sculpture of John Rhoden and Hayward Oubre: Structural Integrity.

Sponsored by the Tyson Scholars of American Art program, Crystal Bridges Museum of American Art

 

Friday, October 18 (Birmingham Museum of Art)

2000 Rev. Abraham Woods Jr. Blvd., Birmingham, AL 35203

 

8:00–8:45 a.m.: Registration and coffee with light refreshments

 

8:45–10:45 a.m.: Session I: Meaning, Materials, and Materiality

Moderated by Jessica Dallow, University of Alabama at Birmingham

Kimia Shahi, University of Southern California
“Orange Skies, Red Water, Black Lung: Color and Pollution in LeRoy Woodson’s DOCUMERICA Photographs of Birmingham, 1972”

Aleisha Barton, University of Minnesota
“Faith Ringgold’s Formalism: Rethinking Color in the Civil Rights Era”

Taylor Rose Payer, University of Minnesota
“Decolonial Gestures: Indigenous Relationality in the Art of Nadia Myre and Maureen Gruben”

Elizabeth Keto, Yale University
“‘Memorial Quilt’, Confederate Monument: Women’s Reconstruction and the Materiality of Memory in Fayetteville, North Carolina”

 

10:45–11:00 a.m.: Break

 

11:00 a.m.–12:30 p.m.: Session II: Home/Place

Moderated by Kathleen M. Spies, Birmingham-Southern College

Phoebe Wolfskill, Indiana University
“Narratives of Black Atlanta in Emma Amos’s Odyssey series (1988)”

William Coleman, Wyeth Foundation
“Making Space: Betsy James Wyeth as Designer”

Louise Siddons, University of Southampton 
“The Dilbaa Project: Portraiture and Place in the Queer Navajo  Imagination”

 

12:30–2:00 p.m.: Independent lunch
Restaurants within walking distance include the BMA’s Juniper at the Museum, Brick &  Tin, Eugene’s Hot Chicken, Paramount, Spice of Life Jamaican Restaurant, and Trattoria Zaza. 

 

2:00–4:00 p.m.: Session III: Imagined American Wests

Moderated by Graham C. Boettcher, Birmingham Museum of Art

Molly Eckel, Princeton University
“Edom, Archaeology, and Ancient American Ruins: Robert S. Duncanson’s Robbing the Eagle's Nest (1856) as Jeremiad”

Emily Burns, University of Oklahoma
“Animate Itineraries: Ité Omáǧažu and Lakȟóta Histories in Paintings by De Cost Smith and Edwin Deming”

Sehyun Oh, Columbia University
“Imagining the Pacific Bio-Region: Kyo Koike's Albums of American Northwest Geology and Botany”

Olivia Murphy, University of Oklahoma
“‘This Ain’t Texas,’ This is Atlantica: April Bey’s Otherworldly Black Cowgirls”

 

4:00–4:15 p.m.: Break

 

4:15–5:15 p.m.: Session IV, Workshop: Rethinking the Survey: Place-Based Approaches to Art History            

The co-organizers of this panel have prepared some suggested readings, please learn more here.

Co-organizers: 

Anne Strachan Cross, Pennsylvania State University

Lee Ann Custer, Vanderbilt University

James Denison, Kalamazoo College & The Kalamazoo Institute of the Arts

Christine Garnier, University of California, Santa Barbara

Maya Harakawa, University of Toronto

 

6:00–7:00 p.m.: Panel in conjunction with the exhibition Joe Minter is Here.
600 6th Avenue South, Birmingham, Alabama, 35233
Participants will need to travel to this optional panel via carpool, Uber, or Lyft, as it is not within walking distance from the Tutwiler Hotel. 

To register for this panel, please sign up at this link

Saturday, October 19 (University of Alabama at Birmingham)

Alys Stephens Center, 1200 10th Ave S, Birmingham, AL 35294

 

8:15 and 8:30 a.m.: Shuttles from the Tutwiler Hotel to UAB

 

8:15–9:30 a.m.: Coffee with light refreshments

 

9:30–11:00 a.m.: Session V: Transnational and Transcultural Connections

Moderated by Rachel Stephens, University of Alabama

Joseph Zordan, Harvard University
“Mourning, Silver, and Stability in Dutch Colonial New York”

Hampton Smith, Massachusetts Institute of Technology
“Striking the Common Wind: Ornamental Wrought Iron and the Black Radical Tradition in New Orleans”

Sasha Whittaker, Princeton University
“Defining the “American Look”: The Émigré Artists of Harper’s Bazaar during World War II”

 

11:00 a.m.–12:15 p.m.: Lunch
Box lunches available by advanced order ($15, see registration link for selection and to place order)

 

12:15–2:15 p.m.: Session VI: Dirty: The Detritus of American Art            

Moderated by John Davis, Historic Deerfield

Joseph Litts, Princeton University
“Moving Dirt, Making Caves, and Manufacturing Disaster”

Megan Baker, University of Delaware
“From Quarries to Paper: Pastel Production in Early America”

Ellery Foutch, Middlebury College
“Sticks and Stones, Sawdust and Slag: Composite Relics and the Fragment”

Lea C. Stephenson, University of Delaware
“Bottling Egypt Dust: American Empire and Egyptomania”

 

2:15–2:30 p.m.: Break

 

2:30–3:45 p.m.: Session VII: Roundtable: Expanding the Field of American Sculpture

Moderated by Katelyn D. Crawford, Birmingham Museum of Art

Renée Ater, Brown University

Kelvin Parnell, University of Arkansas

Brittany Webb, Pennsylvania Academy of the Fine Arts

 

4:00–5:00 p.m.: Closing Reception and opportunity to walk through exhibitions at the Abroms-Engel Institute for the Visual Arts

1221 10th Ave S, Birmingham, AL 35294, across the street from the Alys Stephens Center

Current exhibitions: Outside Lines; Manjari Sharma: The Universe is a Mirror; and Odili Donald Odita.

 

5:15 and 5:30 p.m.: Shuttles from UAB to the Tutwiler Hotel

 

Accommodations

A block of rooms has been reserved at the Tutwiler Hotel, 2021 Park Place, Birmingham, AL 35203. T he default "Quick Book" button will quote 3 nights, but there is an "Edit My Stay" option at the top where attendees can choose 1, 2, or 3 nights.  https://www.hilton.com/en/attend-my-event/associationofhistoriansofamericanart/

 

Transportation and Parking

Uber and Lyft are both rideshare options in Birmingham. The conference will have shuttles to and from the conference hotel and UAB for Saturday’s program.

The BMA is a short walk from the Tutwiler Hotel. At the BMA, limited parking is available in the lot at the museum, off of 20th St. N. Additional parking is available at Boutwell Parking Deck, at 801 N. 19th St. 

Saturday events will take place at the Alys Stephens Center and Abroms-Engel Institute for the Visual Arts on UAB’s campus. Parking is available with details shared closer to the event. 

 

Things to Visit in Birmingham

Click here for map

16th Street Baptist Church

Abroms-Engel Institute of Visual Arts

Barber Motorsports Museum

Birmingham Civil Rights Institute

Birmingham Museum of Art

Earthborn Pottery

Sloss Furnaces and Sloss Metal Arts

Vulcan Park and Museum

 

Beyond Birmingham

Anniston: 
Anniston Museums and Gardens

 

Auburn:
Jule Collins Smith Museum of Fine Art

 

Gee’s Bend:
Gee’s Bend Quilt Collective

 

Huntsville:
Huntsville Museum of Art
US Space & Rocket Center

 

Mobile:
Mobile Museum of Art

 

Montgomery:
Equal Justice Initiative
Montgomery Museum of Fine Arts

 

Newbern:
Rural Studio

 

Northport:
Kentuck Art Center & Festival

 

Talladega:
Heritage Hall Museum

 

Tuscaloosa:
UA Museums and Galleries
Moundville Archaeological Park

 

Tuskegee:
The Legacy Museum