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Yoshida, Atsushi, "Modern Eremites: Art and the Vocation of Withdrawal in Gilded Age America" (Washington University, A. Miller) |
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Wolf, Vanessa, "Surplus Feeling: War and Remembrance in Lee Bontecou's Wall Reliefs, 1958–1966” (Yale, A. Nemerov) |
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Wofford, Tobias, “Constructing Africa: The Visualization of Homeland and Diaspora in African American Art during the 1960s and 1970s” (UCLA, S. Nelson) |
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Witt, Susan Powell, “The Gendered Language of War: Picturing the Parlor in Civil War America” (Stanford, B. Wolf) |
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Wilde, Tamara L., “Virgins and Vixens: Women, Musical Instruments, and Identity in Gilded Age Art” (Iowa, J. Kinsey) |
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Weathers, Chelsea Lea, “Shooting Underground: Andy Warhol’s Cinema and the Making of a Public Image, 1963–1966” (UT Austin, A. Reynolds) |
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Warak, Melissa Christine, “Sound Exchange: Interactions of Music and Art, 1955–1976” (UT Austin, L. Henderson) |
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Walz, Jonathan, "The New Face of Modernism: Anti-Mimetic Portraiture and the American Avant-Garde, 1912–1927" (Maryland, College Park, S. Promey) |
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Vincenti, Marissa, “Our Spiritual Strivings: Gurdjieffian Philosophy, Spiritualism, and Politics in the Art of Aaron Douglas” (Duke, R. Powell) |
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Tuite, Diana, “Methods for Modernism: Arthur Wesley Dow Intersects the Stieglitz Circle” (Princeton, J. Wilmerding) |
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Tsen, Hsuan, “Spectacles of Authenticity: The Emergence of Mass Entertainment in Japan and America, 1890–1910” (Stanford, S. Bukatman) |
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Trent, Mary, "Innocence Reproduced: Girlhood in the Art of Joseph Cornell and Henry Darger" (UC Irvine, C. Whiting) |
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Toteva, Maia Todorova, "Language Use in Conceptual Art: Eastern European and North American Strategies" (UT Austin, R. Shiff) |
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Tomlin, Patrick, “Op Art: Painting, Perception, and Visual Culture in the Sixties” (Northwestern, C. Lambert-Beatty) |
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Terry, Colleen, "William Hogarth's Prints in British North America" (Delaware, B. Herman) |
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Talbott, Jennifer, “Avis Mortis: Ornithology and Modern American Art” (Kansas, C. Eldredge) |
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Swisher, Christine, “American Home, American Dream: Home Economics, Housing, and the University Response to Immigration, 1899–1933” (Penn State, C. Zabel) |
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Stuart, Carolyn, “American Autoscapes: The View from the Road, 1920–1949” (UCLA, S. Nelson) |
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Stevens, Jolee, “Modern Art and Modern Movement: Images of Dance in American Art, ca. 1900–1950” (Kansas, C. Eldredge) |
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Stephens, Rachel E., "Ralph E. W. Earl and the Myth of Jacksonian Politics" (Iowa, J. Kinsey) |
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Stamey, Emily, “Pop, Place, and Personal Identity in the Art of Roger Shimomura” (Kansas, D. Cateforis, C. Eldredge) |
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Smith, Jerry, “Auto-America: The Automobile and American Art, ca. 1900–1950” (Kansas, C. Eldredge) |
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Snook, Sarah, "The Development of the American Art Market in Antebellum New York" (Columbia, E. Hutchinson, D. Rosand) |
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Sivard, Susan, "The Volcano in European and American Art, 1770–1865" (Columbia, B. Novak, E. Hutchinson) |
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Sherry, Karen, “Exposing the ‘Natural’ Woman: Female Bodies in American Visual Culture, 1785 to 1830” (Delaware, M. Leja, W. Bellion) |
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Sels, Kim, "Assembling Identity: The Object-Portrait in American Art, 1917–1927" (Rutgers, J. Marter) |
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Scruggs, Dalila, “'The Love of Liberty Has Brought Us Here': The American Colonization Society and the Imaging of African-American Settlers in Liberia, West Africa" (Harvard, S. Blier) |
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Scott, Emily, “Wasteland Aesthetics: Art and the Postindustrial Landscape, 1962–1972” (UCLA, M. Kwon) |
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Scanlan, Patricia S., "'God-gifted girls': Women Illustrators, Gender, Class, and Commerce in American Visual Culture, 1885–1925" (Indiana, Bloomington, S. Burns) |
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Samet, Jennifer, “Another New York School: The ‘Secret History’ of Figurative Painting, 1960–1980” (CUNY, P. Mainardi) |
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Sablove, Henrietta, "Study Abroad: American Architects and Their Travel Sketches, 1850–1920" (Rutgers, C. Yanni) |
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Rottner, Nadja, "Claes Oldenburg and the Emergence of the ‘Happening’" (Columbia, J. Rajchman, R. Krauss, B. Joseph) |
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Rosenbaum, Sarah, “In the Public Domain: Public Art, Advanced Capitalism, and the Contemporary City” (Harvard, Y-A. Bois) |
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Roethke, Leigh, “A Passion for Spain: Españolismo in American Visual Culture” (Minnesota, K. A. Marling) |
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Roeder, Katherine, "Cultivating Dreamfulness: Fantasy, Longing, and Commodity Culture in the Work of Winsor McCay” (Delaware, M. Leja, M. Werth) |
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Robertson, Letha Clair, “The Art of Thomas Hicks and Celebrity Culture in Mid-Nineteenth-Century New York” (Kansas, C. Eldredge) |
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Robertson, Breanne, “Forging a New World Nationalism: Native Mexico in United States Art and Visual Culture, 1933–1945” (Maryland, College Park, S. Promey) |
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Roach, Leigh Anne, “A Positive, Popular Art: Sources, Structure, and Impact of Gyorgy Kepes’s Language of Vision” (Florida State, K. Bearor) |
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Renn, Melissa, "Life in the Art World, 1936–1972" (Boston, P. Hills, K. N. Morgan) |
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Rees, Nathan, "Esoteric Primitivism: The Transcendental Painting Group and Native American Cultures" (Maryland, College Park, S. Promey) |
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Raab, Jennifer, "Frederic Church and the Culture of Detail” (Yale, A. Nemerov) |
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Pultz, Janet, "Christian Abrahamsen (1887–1983), Norwegian-American Portrait Painter" (Missouri, O. Overby) |
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Price, Marshall, “John Ferren and the Development of Abstraction” (CUNY, K. Manthorne) |
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Powers, Sarah, “Images of Tension: City and Country in the Work of Charles Sheeler, Edward Hopper, and Thomas Hart Benton” (Delaware, A. Gibson, M. Leja) |
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Pohrt, Tanya, “Touring Pictures: The Exhibition of American History Paintings in the Early Republic” (Delaware, M. Leja, W. Bellion) |
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Peiffer, Prudence, "Routine Extremism: Ad Reinhardt and Modern Art" (Harvard, Y-A. Bois) |
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Palm, Nancy, "Unsettling Identities: Indian Iconography in Thomas Cole's National Landscapes" (Indiana, Bloomington, S. Burns) |
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Nygard, Travis, “The Art of Agribusiness: How Visual Culture Shaped Grain Production in the U.S., 1893–1943” (Pittsburgh, K. Savage) |
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Niedzielski-Eichner, Nora, “Integrating Modernism: The Migration Paintings of Douglas, Lawrence, and Bearden” (Stanford, B. Wolf) |
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Newton, Gregory, “The Emergence of Monochrome Painting in 1950s New York” (CUNY, A. Chave) |
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