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Boettcher, Graham, “Domestic Violence: Familial and Political Conflict in the Work of Emanuel Leutze” (Yale, A. Nemerov)
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Edwards, Katie Robinson, “Raising and Lowering Brows: Jackson Pollock in the Cultural Context of 1940s America” (UT Austin, R. Shiff)
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Egan, Shannon, “An American Art: Edward S. Curtis and The North American Indian, 1907-30” (Johns Hopkins, B. Doherty)
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Fort, Megan Holloway, “Archibald and Alexander Robertson and The Columbian Academy of Painting, New York, 1791-1835” (CUNY, S. Webster)
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Gieskes, Mette, “Games, Systems, and Structuralist Politics in European and American Art, 1960-75” (UT Austin, R. Shiff)
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Gillespie, Sarah Kate, “Samuel F.B. Morse and the Daguerreotype: Art and Science in American Culture, 1835-55” (CUNY, K. Manthorne)
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Haertel, Nilza, “Landscape and Nature in American Prints: Transformations in Form and Meaning in the Work of Contemporary Women Artists” (Indiana, Bloomington, S. Burns)
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Jung, Eun Young, “The Legacies of Marcel Duchamp and Vladimir Tatlin in Dan Flavin’s Flourescent Light Installation in the 1960s” (UIUC, J. Fineberg)
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Kilbane, Nora C. “A Tug from the Jug: Drinking and Temperance in American Genre Painting, 1830-60” (Ohio State, B. Groseclose)
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Koh, Dong-Yeon, “Larry Rivers and Frank O’Hara: Reframing Male Sexualities” (CUNY, A. Chave)
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Korenic, Lynette, “The Decorative Fire of Susan S. Frackelton: China Painting, Art Pottery, and Book Illumination” (UC Santa Barbara, E.B. Robertson)
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Lawrence, James Alexander, “Abdication in an Artistic Democracy: Meaning in the Work of Barnett Newman and Donald Judd, 1950-70 (and thereafter)” (UT Austin, R. Shiff)
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Lessing, Lauren K., “Presiding Divinities: American Ideal Sculpture in Nineteenth-Century Domestic Interiors” (Indiana, Bloomington, S. Burns)
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Levine, Cary, “Pay for Your Pleasures: Mike Kelley, Raymond Pettibon, Paul McCarthy” (CUNY, R. Golan)
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Marie, Annika, “The Most Radical Act: Working toward a Materialist Aesthetic in Theodor Adorno, Harold Rosenberg, Barnett Newman and Ad Reinhardt” (UT Austin, R. Shiff, A. Reynolds)
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Mauro, Hayes Pete, “Made in the U.S.A.: Americanizing Aesthetics at Carlisle” (CUNY, K. Manthorne)
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Murphy, Michael, “White Collared: Fashioning Masculinity in American Visual Culture” (Washington University, A. Miller)
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Older, Caroline, “American Artists’ Frames: Paintings, Environments, and Viewers 1860-1920” (UC Santa Barbara, E.B. Robertson)
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Peabody, Rebecca, “A Strategic Cut: Kara Walker’s Art and Imagined Race in American Visual Culture” (Yale, R. Thompson, H. Carby)
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Peariso, Craig, “Re/Citing: Radical Activism in Late-1960s America” (SUNY Stony Brook, J. Katz, J. Rubin)
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Perchuk, Andrew, “Mapping the Surface: Art and Modernism in Los Angeles, 1962-72” (Yale C. Wood)
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Reece-Hughes, Shirley, “Through the Eyes of an Expressionist: Southern Culture, Places, and Memories in the Art of David Bates” (Kansas, C. Eldredge) |
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Remmel, Rachel, “The Origins of the American School Building: Boston Public School Architecture, 1800-60” (Chicago, K. Taylor)
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Rogers, Karen L. “Checkerboard Grids: Principles and Practices of Spatial Order in the Americas and the Making of Place in New Mexico” (SUNY Binghamton, C. Burroughs)
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Sinnett, Gretchen, “Envisioning Female Adolescence: Rites of Passage in Late Nineteenth- and Early Twentieth-Century American Painting” (Pennsylvania, E. Johns)
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Towns, Elizabeth, “Wondrous Creatures: The Hummingbird and Orchid Paintings of Martin Johnson Heade” (UNC Chapel Hill, C. Mavor)
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Twa, Lindsay, “Troubling Island: The Imagining and Imaging of Haiti by African-American Artists” (UNC Chapel Hill, M. Harris)
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Zygmont, Bryan, “Portraiture and Politics in New York, 1790-1825: Stuart, Vanderlyn, Trumbull, and Jarvis” (Maryland, S. Promey)
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