|
Chung, Nogin, “Picturing American Women in the Postwar Period” (Minnesota, K. A. Marling)
|
|
Glahn, Philip, “Estrangement and Politicizations: Bertold Brecht and Postwar American Art” (CUNY, G. Batchen)
|
|
Greenhill, Jennifer A., “‘The Plague of Jocularity’: Contesting Humor in American Art and Culture, 1863-93” (Yale, A. Nemerov)
|
|
Hack, Brian, “American Acropolis: George Grey Barnard’s Monument to Democracy, 1918-38” (CUNY, S. Webster)
|
|
Ikegami, Hiroko, “1964: Robert Rauschenberg and the Beginnings of Globalization in Modern Art” (Yale, A. Nemerov)
|
|
Jensen, Kirsten M., “‘The American Salon’: The Art Gallery at the Chicago Interstate Industrial Exposition, 1873-90” (CUNY, S. Webster)
|
|
Kresser, Katie, “Art as History, History as Art: John La Farge and the Problem of Representation, 1859-1910” (Harvard, J. Roberts)
|
|
Kusserow, Karl, “Picturing Power: Portraiture and Its Uses in the New York Chamber of Commerce” (Yale, A. Nemerov)
|
|
Lasser, Ethan, “Figures in the Grain: The Stakes of Furniture in Anglo-America, 1660-1800” (Yale, E.Cooke Jr.)
|
|
Longwell, Alicia G., “John Graham and the Quest for an American Art in the 1920s and 1930s” (CUNY, K. Manthorne)
|
|
Nelson, Andrea, “Reading Montage: The Photography Books of László Moholy-Nagy and Walker Evans” (Minnesota, J. Blocker)
|
|
Pederson, Amy, "Der Superman, Wie in der Welt Kam Er: Supermen and Modernism in Mid-Century America” (UCLA, M. Kelly, C. Whiting)
|
|
Phillips, Ruth Anne, “‘Pre-Columbian Revival’: Defining and Exploring a U.S. Architectural Style, 1910-1940” (CUNY, J. Sund)
|
|
Poor, Natasha, “Dirty Art: Reconsidering the Work of Robert Rauschenberg, Bruce Conner, Jay DeFeo, and Edward Kienholz” (CUNY, A. Chave)
|
|
Price, Justine Dana, “Critical Distinctions: Attitudes towards American Abstraction, 1936-1952” (UT Austin, R. Shiff)
|
|
Romaine, James G., “Constructing a Beloved Community: The Methodological Development of Tim Rollins and K.O.S.” (CUNY, H. Senie)
|
|
Rundquist, Leisa, “Firestorms and Conflagrations: The Inflamed Cosmology of Henry Darger” (UNC Chapel Hill, C. Mavor)
|
|
Sailor, Rachel M., “Meaningful Places: Nineteenth-Century Photography and the Local Landscapes of the American West” (Iowa, J. Kinsey)
|
|
Samuel, Anne, “Rethinking Vision in the American Renaissance Murals of Edwin Howland Blashfield” (Delaware, M. Leja, M. Werth)
|
|
Shales, Ezra, “John Cotton Dana and the Business of Enlightening Newark: Applied Art at the Newark Public Library and Museum, 1902-29” (Bard Graduate Center, K. Ames, P. Kirkham)
|
|
Slifkin, Robert, “Philip Guston’s ‘Return to Figuration’ and the Crisis in the Humanities” (Yale, A. Nemerov)
|
|
Thrush, Nanette, “Tilting at History: Gothic Revival Tournaments in Early Victorian Great Britain and the Antebellum American South” (Indiana, Bloomington, S. Burns)
|
|
Zarro, Jennifer, “Views of Philadelphia and the Culture of Geography, 1780-1800: Maps, Magazine Engravings, and William Birch” (Rutgers, W. Bellion)
|
|
|
